FredMcKinnon.Com

Criticism and Judgment.  If you can’t take it, you’d best not get involved in worship ministry.

Let’s face it.  The musical aspect of a corporate worship service is filled with the potential for criticism:

* song selection
* style
* instrumentation and arrangement
* volume
* technology used to support (sound, lighting, visuals)

Rarely does a week go by where I’m not blessed by people who share with me how have been inspired by music and ministry.  At the same time, I’m used to getting complaints, suggestions, and criticisms.

Today was a great example.  When I walked into my office I had two pieces of mail (yeah, the real stuff in an envelope with a stamp on it) on my desk.

One envelope included a thank-you card and a sweet note about this person’s experience being so wonderful in our worship service this Sunday.

The other envelope contained a letter from a visitor filled with harsh criticism … but worse, judgment.  It was filled with harsh lines about how “I” attempted to manipulate God, etc.  If the Bible is true (and we know it is), this person has a heap of judgment “pressed down, shaken together, and running over” coming their way, as a result of what they sowed into my heart today.

So how do we handle it?

Criticism: ask yourselves a few questions:

1.  Is there anything constructive that I can learn from the information?
2.  Does this person seem to have a loving, sincere approach?
3.  Is there a relationship present, and does this person have a good understanding of our overall mission, as opposed to a 1-visit snapshot?

Judgment: there is really no place for it.  It stings.  It hurts.  To have someone accuse you of things that are very far away from your heart or motives … things that are actually offensive to your heart and motives … it just is hard to swallow.

I like to spread those out before the Lord and simply ask Him to help me know my heart, my motives, and most importantly, to know HIS heart.  I pray for the person who is clearly reacting out of some other wound or frustration, and pray that I will not allow it to take root in my soul.

There will always be critics.  Some more loving and gentle than others.  Some with information we need to hear and process.  Some who abuse any right they have to comment.

Taking offense is not an option.  It will only drag you down.

How do you process complaints or criticism?  Do you keep them to yourself or share them with your team?

Because we have multiple services at SSCC, margin isn’t something we seem to find.  Despite our many efforts, we typically end up with a worship service that is around 1:15 and is FILLED with outflow.

Songs.
Announcements.
Sermons.

That’s not such a bad thing.  After all, we gather corporately so that we can express ourselves in worship to God (typically, through songs) and be taught and built up (sermons).  Since the body is gathered, it makes sense to do some communication to inform people about what’s going on.  (announcements).

So, let’s think about that.  If you have 5 songs averaging 5 minutes each, that’s 25 minutes.  If you have a sermon averaging 35-40 minutes, now we’re up to 60-65 minutes.  Add in announcements and any kind of transition, you’ve hit your time expiration and there’s no margin.

Now before the zealots start flaming us about the clock, you have to understand — if we don’t try to wrap things up in 1:15 max, we have a logistical nightmare in the parking lots.

This Sunday was one of those rare Sundays where we had “margin”.  Our Discipleship Pastor was preaching and he came to be Sunday AM and said that his sermon would be shorter than he anticipated.  SHORTER?  Are you KIDDING ME?  He even suggested that we have some last-minute planning to allow for more worship at the end of the message.  I was totally cool with that.

The beautiful thing about margin?  You aren’t forced to use it (though we usually do) and you can choose where it comes from.

When I have margin and I know I’m entrusted to steward it, I become a different leader.
It’s not about getting through the setlist on time.
It’s not about avoiding the discussion about going over time.

This past Sunday, as I led through the song we’d selected to happen between the Announcement Break and the Sermon, that margin became invaluable.

We’d just concluded singing a beautiful worship ballad, “Waiting Here For You” from the Passion 2011 album.  Even though it was a brand new tune for our church, I could discern that the people had genuinely engaged in worship.  As the song came to a close, I couldn’t bring myself to just say a snap prayer and move on.  I knew the Holy Spirit was telling me to “wait”.

So I waited.
I prayed.
I played a light, consistent progression slowly.

I took my time.  I asked the congregation to wait.  To pray.  We seldom stop and make time for this.  It wasn’t just a dude on the stage leading a prayer for a quick Amen.  We were waiting in God’s Presence, praying, seeking, crying out.

Knowing we weren’t pressed for time, I took this a step further.  I asked the tech guys (who responded immediately and graciously) to bring up our house lights slowly.

“Who is struggling?  Who just needs a touch?  Who needs prayer?  Slip up your hand – and if you’re around someone raising their hand, just touch them, maybe on the shoulder, to let them know you are there, that you support them, and that you care.  Pray for them.  You don’t even have to ask what it’s about – just lift them up.”

It was beautiful.  I believe we could have stayed in that pause for a long time.  But it was like we stopped the motions for a while and God smiled and said “glad to see you”.

So I took the margin earlier than later.  We concluded our entire service without my adding another song.

In many cases, I’d rather add that waiting time, for prayer, for seeking … instead of yet, another song.

This makes me desperate for margin.  In my life.  In our worship services.  You don’t get it unless you work for it.

How much margin is in your worship services?  Do you feel pressed for time to squeeze everything in, or do you have ample time to wait and see what God may be doing in that moment?

Yesterday was perhaps one of the sweetest days of worship that I can recall at SSCC.  I think there are lots of reasons.  We’d just had a “Night of Worship” event the Friday night before.  We had more margin (see tomorrow’s post!) in our service plan, and the teaching focused on worship.

We opened slowly, with an older classic, “Open the Eyes of My Heart”.  I find it nice to open slowly sometimes.  Paul Baloche calls this an “on-ramp”.  It gives people a transition into worship and I could see people making that transition clearly.

To open up the top of the hour, we introduced a new, upbeat song called “We Are The Free” from Matt Redman’s newest album, “10,000 Reasons”.  I’d originally decided that although I love this song, it would never find a home in our typical sunday service.  I felt it was just too edgy and youth-driven.  It didn’t seem to fit our culture.  I had so many people from the band and congregation who’d already heard the song and really encouraged me to go for it.  To my surprise, the song was really well-received.

From that song we segued directly into super-familiar “Glory to God Forever”.

After a time of announcements, we introduced the brand new worship ballad from the Passion 2011 album, “Waiting Here For You”.  Heather, one of our team members, led this and did a beautiful job.

At the conclusion of this song, I felt a strong sense that we should just wait a moment and not rush into the sermon.  We lingered there, and before I knew it, we were praying and crying out to God.  The congregation was praying, people were praying for others who needed prayer … it was a beautiful thing that I’ll describe more fully in tomorrow’s blog post.

Our Discipleship Pastor did an incredible job teaching on worship, our response to God, and living the life of worship.

We concluded with a traditional version of “The Old Rugged Cross” with nothing but vocals and piano.  IT WAS GORGEOUS.  I loved hearing the people of God sing this classic hymn.  I also sang the deep bass line, which was stylistically different for us, but added to the traditional feel.  It was a special moment.

Transitioning out of the hymn we sang “The Song of Moses”, a newer song from some guys up in Atlanta.  It was massive and I can only say that I felt that our congregation literally walked together through this journey of worship.  It was one of my favorite Sundays!

As always, I’m sharing our worship service recap as a part of the “Sunday Setlists” event, hosted weekly at TheWorshipCommunity.Com.

I announced a while back that I’d finally taken the plunge to purchase an iPad2.  I confessed that it was much more of a luxury item than a necessity.  Now that I’ve used it for a couple of months, I’ve realized just how much I’ve missed by not having it sooner.

Here are 6 ways that I’ve used the iPad2 in the context of corporate worship and my job as a worship pastor.

1.  Planning Meetings:  this is a bit of a luxury, but I no longer have to haul my big MacBook Pro up the stairs and take up a lot of table space at our weekly planning meetings.  I show up with my iPad2 in hand, with quick easy access to my tunes and PlanningCenterOnline.

2.  Digital Music Stand:  there are numerous apps out there that let you store a library of .pdf files.  I haven’t even gotten that far yet, but I export our setlist from PlanningCenter as a .pdf into my DropBox account, and then open it on the iPad for a quick, easy digital music stand.  No more stacks of paper to shuffle through.  (DropBox is FREE, and if you haven’t created a free account there, you’re missing out.  Use my affiliate link so I can get more free space, please!)

3.  Remote Control:  with the “Remote” app, I can easily control my iTunes playlist from my iPad.  This has come in extremely handy when I’m at the piano or keyboard rehearsing a tune or charting out a song.  Where before I’d have to reach way over to my desk and press play w/ the mouse, scoot back to my keyboard, scoot back to stop and rewind, etc., I can do all of this with the iPad sitting on my keyboard.  From one seat at the piano or keyboard, I can load, play, rewind, repeat, scrub – making charting arrangements and learning new songs a lot easier.

4.  Yamaha M7CL StageMix App:  with this incredible, FREE app from Yamaha, I can actually connect via WiFi to our Yahama M7CL sound board and easily adjust the sound.  Granted, we’ve got an incredible tech team on hand mixing the sound, but being able to tweak my personal in-ear monitor mix from the iPad is genius.

5.  ProRemote:  ProRemote is a high-end, paid app (it’s got a hefty price tag of $99) that is a full-featured remote mixing/editing surface for all of the popular recording and looping packages, including Logic Studio, ProTools, Ableton Live, Reason, Garageband, and more.  This app is far more powerful than a simple on/off remote.  It gives you full access to almost every feature in the software itself.   Imagine being able to leave the studio console, walk into a vocal booth, record-enable a track, hit play, punch in and out recording, scrub back and listen, set location markers, and more …. by yourself, wirelessly, without an engineer sitting at the console.  All of this is possible through ProRemote.

In our studio, I’ve toggled back and forth between the iTunes Remote and ProRemote to create loops,click tracks, and full arrangements of songs.  On stage, I used ProRemote to not only control the Start/Stop of our click tracks in Ableton Live, but I also setup loop points and markers where I could easily loop or go back to a rehearsal marker with a push of a “pad” on the screen of my iPad.

6.  My Music – everywhere:  With the landing of Spotify here in the US, I can have my music, playlists, and even the playlists and music of friends available to me on my iPad instantly.  I’m not worried about syncing libraries, managing iTunes accounts, or even better – taking up precious storage space on my device.

Free Spotify accounts are by invitation only through Klout … but I have good news.  I’ve got a special link to get you in.  (Get a Klout and Spotify Account Here!)

This is a short-list of the way I’ve benefited from using the iPad2. If you’ve considered making a purchase, I hope this can help justify it.  If you already have an iPad, how do you use it in the context of your job?

Let the fun begin!

Well, nothing is perfect.  But the way the songs and lyrics fit the 3rd week’s message in our “Uncaged” series at SSCC this week was close to it.

I’d planned our closing song in cooperation with Jon Blankenship, who would be preaching this week … but had no idea that the rest of his sermon would literally be full of the actual lyrics and expressions in all of our songs.

I love it when it when that happens!

Overall, it was a more “contemporary” Sunday than normal, with bigger, edgier, louder music.  I expected that I may get a little more pushback than I did, but only one complaint thus far, and it was from a visitor who said they don’t want anything except traditional music.

Walk In:
My Savior Lives

Opening Song:
I Am Free

Worship Set:
Your Name
You Save (original)

Closer:
Christ Is Risen

It was awesome seeing a number of people confessing Jesus as their Lord and Savior in both services!

Sharing this as part of the “Sunday Setlists” event held weekly at TheWorshipCommunity.Com.